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Kevin is an professional actor (member AEA, SAG-AFTRA), teacher and theatre artist currently serving as Visiting Assistant Professor of Performing Arts at Elon University, where he directs and teaches Acting (Stanislavski), Michael Chekhov Technique, Dialects, Shakespeare and Improv.

A hardworking and caring teacher with a tremendous respect for craft, Kevin combines highly esteemed training from The Old Globe Theatre MFA program with years of performance experience in New York, Los Angeles and other regional markets as a member of SAG-AFTRA and AEA.

Specialties include Michael Chekhov and Stanislavski acting techniques with additional expertise in Shakespeare, Movement and Acting for the Camera.

Latest Projects

Association of Theatre in Higher Education
Fall 2019

Kevin will be traveling to Orlando, FL to present at the annual ATHE conference. He'll be sharing his Rules of Creation in the panel "Modern Imagination" and exploring Michael Chekhov's Open psychological gesture as a part of the "Heightened Listening" presentation.

Certificate of Completion in Michael Chekhov Technique w/ MICHA
Summer 2019

Kevin is thrilled to be returning to the Michael Chekhov Association's International Workshop at Connecticut College. He'll be participating in the Advanced Actor Track as well as the Advanced Teacher Training, earning his Certificate of Completion from MICHA. This is Kevin's second certification in Michael Chekhov Technique.

Teacher Training Certification in Alexander Technique - Year 2
Fall 2019

This fall Kevin moves into the second year of a 3-year teacher certification in Alexander Technique with Chesapeake Bay Alexander Studies. Having first encountered the transformative work of F.M. Alexander in graduate school, Kevin is incredibly excited to continue his training and incorporate it into his work.

Publishing with Routledge Press
Spring 2019

Kevin has completed work on his chapter for the upcoming book Objectives, Obstacles, and Tactics in Practice: Perspectives on Activating the Actor edited by Valerie Clayman Pye and Hillary Haft Bucs to be published by Routledge in Spring 2020.

This book compiles the best practices from a range of practitioners on the subject of working with Stanislavski’s “objectives”, “obstacles”, and “tactics”. Kevin's portion will examine the role of obstacles in the actor's technique.